Beauty is a burden. When I experience the beauty like that I’ve been blessed with this clear Vancouver morning, I hardly feel deserving. I’ll accept the blessings with a promise to return each favor, each vision, each serendipitous meeting with a song. Such goes the tour.
The show at the Penticton Art Gallery was totally fun—reconnecting with the vibrant and creative curator Paul Crawford and playing before an appreciative crowd was the perfect way to begin the tour.
Sam and I arrive in Penticton and set up for the show, looking out the windows of the gallery at the scenic lake, gardens and fountain. It’s the picture of serenity. Totally fun to reconnect with Paul Crawford, the curator of the art gallery!
Just before the show, I encounter an unsettling crack in the back of my guitar. Heartbreak!! I just stared at it in disbelief, tracing back all the hammering our gear took in several loadings and unloadings. Sam is silent. We are both remembering when he let my guitar slide from the luggage cart in Calgary. I imagine I’m overcome with the guilt a mother feels when her child falls and breaks a leg.

I can play the guitar through the show, but it will require some immediate TLC. So I call Coco Love Alcorn, who recommends a master craftsman in Vancouver who can fix it. We’ll leave early the next day to get to Vancouver and try to repair my baby before the next show.
Not much point in brooding over this catastrophe, and I’m strangely detached from the whole event, more focused on the upcoming show and having a good stay in Penticton. Sam and I head out for a bite to eat before the show and encounter some enthusiastic fans at Fibonacci’s. By the time we’ve finished dinner, we’ve arranged to stop in Penticton on our one free night when we’re traveling back east. We’ll play a show at Fibonacci’s and revisit our dear friends here! So despite the broken guitar, it feels like Sam and I are in the flow of things and experiencing some good luck to ease my heartbreak.
My guitar did not spontaneously implode during the show, as I warned the audience it might, and in fact, we had a grand time on stage. After the show, Paul takes us to the legendary Dream Café to catch the last set of David Francey.
We drive like mad to get to Vancouver—though taking in the stunning beauty of the mountains. From a gas station in Bridal Falls, I talk to a VERY accommodating woman at Rufus guitars in Vancouver, who assures me that they’ll sneak me up the priority list with Misha, an expert Ukrainian luthier.
We arrive at Rufus in good time and rush in. Sam is struck instantly with the vision of mandolins lining the walls. His eyes get glassy and he wanders dreamily towards the instruments as I rush to the service section. Misha has a thick accent and large hands, and handles my guitar with care and intent, eyeing the crack, feeling the body, turning the guitar over in his hands. He seems to sense my panic, but his deep voice and reassuring tone are quite calming. There is no quick fix, but he can do the repair by the time we leave the west coast and lend me a guitar for my shows. Thankfully, they have a guitar that is almost exactly like mine and the “boss” agrees to rent it to me for a few days.
In the meantime, I’ve lost Sam. I find him in a corner, cradling a beautiful mandolin, and his eyes possess such a look of longing that I know we must vacate quickly or lose him in this dream for hours. We decide to make some time to linger in Rufus when we pick up my guitar next week.
We arrive at our hotel in downtown Vancouver and are so thankful for a sponsorship from Great Canadian Hotels. We’re staying in their hotels throughout the entire tour, and have been treated like gold. The Residence Inn is a dream—Sam and I are so grateful to be treated to such luxury! We’re giddy about exploring the city and being in such comfort in the heart of downtown. Thanks so much to Great Canadian Hotels!